THE OBENSON REPORT

Covering Cinema From All Across The African Diaspora
Showing posts with label film finds. Show all posts
Showing posts with label film finds. Show all posts

FILM FINDS - Munyurangabo

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This just in...


indieWIRE reports that Munyurangabo has been acquired for North American release by Film Movement.

Directed by Lee Isaac Chung, Munyurangabo explores the lives, adventures and travails of two Rwandan teenagers. It is the first narrative feature shot in the native Kinyarwanda dialect, and its entirely non-professional cast and crew consisted of “genocide orphans, returned refugees, and other undereducated locals barely making a living in the village where the film was shot.”

The film premiered at the 2008 Cannes Film Festival, and was also selected for the Berlin International Film Festival, Toronto International Film Festival and New Directors/New Films, among others, in 2008.

It will open in theaters in late May, 2009.

Revered films about under-represented, marginalized groups, produced by whites are certainly nothing new. But it's a rare occurrence when a member from one minority group makes a film about members of another minority group, other than their own.
Filmmaker Lee Isaac Chung is the son of Korean immigrants, and Munyurangabo, a story about a road trip to revenge, set in Rwanda, starring Rwandans, is his first feature film.

I'm always ambivalent about scenarios like either of the above, for fear that the lens through which the filmmakers, often in a power position, see the characters and/or locations in their films, will be an exploitative or "exotified" one.

But I know nothing about the film, other than what you see here, and I'll certainly be following it from henceforth, now that I've been made aware of it.

Here's its trailer:




via INDIEWIRE

FILM FINDS - Skin

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The annoyingly mawkish, typical Hollywood trailer music aside, this looks like it could be worthwhile.

Sophie Okonedo can be fun to watch, despite what sometimes feel like stage theatrics in her performances (bring it down a little bit Sophie... bring it down... you're in a film, not in a stage play).

Said to be based on a true story...
a genetic abnormality caused Sandra, born of white parents in apartheid South Africa, to look like a black person. Her parents, rural shopkeepers serving the local black community, lovingly raise her as their 'white' little girl. Tormented and unaccepted by white society, though classified as white, she falls in love with a Black man and moves to a township, alienating her parents. The film follows Sandra’s thirty-year journey from rejection to acceptance, betrayal to reconciliation, as she struggles to define her place in a changing world.
I sense some wonderful opportunities here to deconstruct racial identity, and I hope the film doesn't shy away from tackling the subject matter head-on, relentlessly, as its mainstream counterparts often tend to.

Skin will make its debut at the Pan African Film Festival next month, which I'm hoping to attend, provided the festival awards me with a press pass.

I'd guess that a straight-to-dvd future lies ahead for the film.


FILM FINDS - American Violet

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News to me... this didn't show up on my radar as I hunted for "black films" of 2009 with distributors and scheduled release dates.

... Until now.

It's titled, American Violet - a factual story set in small town Texas, in 2000, about Dee Roberts, a 24 year old African-American mother of four, who is swept up in a drug raid and falsely accused based on the uncorroborated testimony of a single informant. Despite the urgings of her mother Alma, Dee rejects a plea bargain that would release her from jail but forever brand her as a felon. With the custody of her children at stake, she instead decides to take on the powerful district attorney behind it all, Calvin Beckett. Roberts finds herself in an unlikely alliance with ACLU attorney David Cohen and former local narcotics officer Sam Conroy. With inspiring courage and dignity, Dee overcomes seemingly insurmountable obstacles, forever changing her and the Texas justice system.

I'm not at all familiar with the real-life story. I don't recall hearing about it, so it's news to me, and definitely reads like something that would translate well to film - David taking on Goliath; beating the system that failed you; the "little guy" taking on corrupt officials and winning, etc...

The film stars newcomer, Nicole Beharie as Dee, multiple Emmy-award winning Alfre Woodard as Dee's mother, Charles S Dutton as a reverend, and many more.

Tim Disney, the great-grand nephew of Walt Disney, directed the film.

As I learned today, the film traveled the festival circuit last year, until it was finally acquired for distribution by Samuel Goldwyn Films in November, with a limited theatrical release in March of this year planned.

No trailer is available, to my knowledge. I'll be looking out for one.

The film's website can be found HERE.



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TRAILER - Not Easily Broken (Taraji Henson, Morris Chestnut)



This is news to me...


4 years after the adaption of his novel Woman Thou Art Loosed stormed American theatres (well, maybe not really stormed, but you get the picture), preacher, evangelist, life coach, and author T.D. Jakes, is taking another one of his literary works to movie theatres next month, in a film titled Not Easily Broken.

The pic stars Morris Chestnut, and an actress who's somewhat hot right now, Taraji P Henson.

What's it all about?

After years of disagreeing on what true happiness, success, and love really are, Dave (Chestnut) and Clarice Johnson (Henson) have finally reached a breaking point in their marriage. When Clarice is hurt in a car accident, the obvious truth that more than just her injuries need immediate attention is exposed. Their odds of making it worsen as Clarice begins to see a physical therapist, and Dave develops a friendship with Julie (Maeve Quinlan) and her teenage son Bryson. The acceptance and comfort he finds in them stirs his longing for a family and a passionate partner. As temptation tugs at Dave, and Clarice pulls farther away, they must confront whether their vows are or are not easily broken.

Let the church say amen!

It's directed by Bill Duke, by the way, and will be released theatrically by Sony Pictures on January 9th! Somewhat perfect timing to take advantage of all the attention Taraji P Henson has been, and will continue to receive up until awards season, for her performance in The Curious Case of Benjamin Button.

Although, I don't think I'll be rushing out to see this one. Woman Thou Art Loosed didn't do much for me.

Here's the trailer:


trailer

Film Finds - Complexion

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In response to an email I received regarding my "Film Finds" category posts on this blog, I should be clear that I haven't seen any of these films, and thus I'm not recommending any of them! 

Instead, think of each post as an FYI on upcoming films by and/or about people of the African Diaspora that have, for one reason or another, generated some buzz on some circuit (usually the festival circuit). It's entirely up to you to do what you like with the information.

For this entry, the story goes... Derek meets Tracee, and the two immediately form a special bond. From a distance all seems perfect in their relationship. However, we learn there’s something that’s keeping Derek from truly falling in love with Tracee – her skin complexion. Even though they’re both black, his preference is to be with black women that he considers “light skinned.” Both Derek and Tracee’s friends try to make sense of what would make a person feel this way, but by dissecting this controversial topic they learn that everyone has preferences, including them. Powerful, thought provoking, and unforgettable, Complexion evokes rare emotion that forces us all to surrender to its power.

Resume: 2008 American Black Film Festival, 2008 African Diaspora Film Festival

Here's the trailer (as always, share your thoughts below):


Film Finds - Gospel Hill

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Hmmm... This just landed on my desk, Giancarlo Esposito's directorial debut. It's called Gospel Hill.


First, the star-studded trailer:



The story goes...

In the town of Julia, the residents of the black neighborhood of Gospel Hill, are being forced out of their homes to make way for a multimillion-dollar golf course development.

Race relations are strained just as they were thirty years ago when Peter Malcolm (Samuel Jackson), a black civil rights activist, was assassinated. Dr. Ron Palmer (Giancarlo Esposito), an influential black community leader who runs the emergency clinic in Gospel Hill, is supporting the golf course development and helping to push people off their land.

Peter Malcolm's brother, John Malcolm (Danny Glover), withdrew from the community and the fight for civil rights after his brother's assassination, haunted by feelings of hatred for Jack Herrod (Tom Bower). Herrod, the towns bigoted, ex-sheriff, was responsible for letting the investigation of Peter's murder dissipate with no one charged.

Meanwhile, Sarah Malcolm (Angela Bassett), Johns wife, takes it upon herself to battle Dr. Palmer and reveal his profiteering to the whole town, exposing him for the greedy man he has become.

Jack's sons are Carl Herrod (Adam Baldwin), an iconoclastic lawyer, who is having an affair with the doctors' wife (Nia Long) and Joel Herrod (Taylor Kitsch), who has tried to distance himself from his father's name and reputation. Joel has a struggling landscaping business that flourishes when he begins to work for Dr. Palmer, but when he falls in love with Rosie (Julia Stiles), a school teacher helping Sarah fight Palmer, the conflict of interest becomes too present to ignore.

These characters lives intertwine as Dr. Palmer obtains real estate and pushes the development to the cities approval; Sarah struggles to get John involved as she fights to expose the doctor; Joel deals with his fathers increasing animosity; Jack Herrod, discovering he is terminally ill, has secretly reopened the case of Peter Malcolm's murder; and John Malcolm begins to realize that the fight for equality didn't die with his brother, that it continues in every breath the town takes, and he knows that if Sarah continues to stir the hornets nest that the town of Julia has become, he will be thrust into the position he shared with his brother thirty years ago.

Did you get all that? :o)

Sounds like something that would make Robert Altman smile.

Anywho... I'm intrigued by what I see in the trailer, and in the extended synopsis above.

The film has been traveling the festival market circuit since February, picking up several awards along the way; it even screened at the Democratic National Convention!!

According to IMDB, Twentieth Century Fox owns both theatrical and DVD rights, although no release date has been set.

Might it be coming to a theatre near you any time soon? I'll guess not. Instead, look for it at your local video rental store, or online, via Netflix.

For more, visit the film's website, which is loaded with content: http://www.gospelhillfilm.com/

Film Finds - "A Man Named Pearl"

MAN NAMED PEARL


Syndicated critic Kam Williams
writes of A Man Named Pearl,

This moving story of rejection-turned-acceptance is a touching bio-pic about a humble soul who encountered entrenched racism and responded with goodwill towards all. A life-affirming documentary illustrating how a black man’s green thumb proved to be the best revenge for white intolerance.

Currently enjoying a very limited theatrical release, the film is also available on DVD.

Learn more about the festival award-winning, well reviewed,
A Man Named Pearl, including screening engagements across the country - http://www.amannamedpearl.com/.

Certainly intrigues... here's the trailer: